A Far Greater Existence (Une vie meilleure): Toronto Review

Filmmakers all over the world desire to surprise audiences, and French auteur Cédric Kahn has certainly carried this out in the Better Existence. Like existence itself, the film starts one of the ways, then heads in another, hits a detour and finally involves relaxation in the different place in addition to country. The very first is hard offer label this movie. It's a drama, for many, but a romance becomes a meditation on motherhood, then becomes a bit of the crime story.our editor recommendsToronto 2011 Critic's Preview: Why the Festival Matters Toronto Film Festival: 13 Films to KnowToronto 2011: 10 Hot Game game titles Customers Dare Not MissRelated Subjects•Toronto Worldwide Fil... PHOTOS: Toronto Film Festival: 13 Films to comprehend The film should do well on screens small and big throughout Europe and may search for a existence, probably for better rather than worse, in overseas distribution due to Kahn's title and perhaps a lot more its lead actor, Guillaume Canet, a noted actor (Last Evening) additionally to director (Little White-colored Lies,Tell Nobody). You may hope a U . s . States distributor might affect the title because while A Far Greater Existence can be a direct translation in the French title, a great film by Chris Weitz already guaranteed its claim they can that title taken. Canet plays Yann, a skilled chef who cannot find be employed in any Paris restaurants due to his insufficient skill. No less than at one meeting he sparks for the ethereal great factor about one of the staff, Nadia (Leïla Bekhti). A hot romance evolves, which quickly becomes serious enough for him to contemplate family existence while using French-Lebanese lady and her youthful boy, Slimane (Slimane Khettabi). THR's Complete Toronto 2011 Coverage Your trio stumbles upon a derelict lakeside building inside the forest outdoors Paris. Yann immediately sees its options just like a fine dining establishment. All he needs are considerable bank financial financial loans to buy and renovate the region. Alas, Yann lacks any organization sense so he becomes hooked with debt and quarrels between him and Nadia threaten their storybook romance. Things acquire a place that his impatient girlfriend will require off for any more acceptable job in Montreal but - which is a genuine credibility stretcher - she leaves Slimane in Yann's care. Once past that implausible plot point, the film then watches the developing relationship involving the guy and youthful boy. Yann, it calculates, was elevated in promote care so that they have some understanding about being "abandoned" by parents. Which doesn't necessarily cause him to an excellent father but he's the identical doggedness in this relationship while he does within the quixotic mission to start a coffee shop or restaurant. These passages, which from the true heart in the movie, contain several very effective moments but not one of them feels forced or corny as frequently happens when movies portray growing affection from the guy and boy. Kahn and also the co-author Catherine Paillé bring naturalness to individuals developments, adding moments of hysteria to people that bring laughter and camaraderie. Another act takes Yann's indebtedness and foolhardy actions into the whole world of crime which, combined while using legal informality from the relationship inside the eyes of social employees, causes the two to try and flee for Canada searching for Slimane's strangely disappeared mother. It's doubtful anybody would picture this kind of story without any worldwide recession - an account where love and crime all hinge on mounting obligations and joblessness. So possibly A Far Greater Existence will probably be much more amazing afterwards years if the will speak with the era most of us find inside ourselves also to the quotidian struggles of people concerning the margins for instance Yann and Nadia. Nevertheless though, A Far Greater Existence is really a nice amazing document since it talks for the way love and ambition can persevere in the odds inside a era. Venue: Toronto Worldwide Film Festival Production Companies: Ces Films du Lendemain Cast: Guillaume Canet, Leïla Bekhti, Slimane Khettabi. Director: Cédric Kahn. Screenwriters: Cédric Kahn, Catherine Paillé. Producers: Gilles Sandoz, Denise Robert, Daniel Louis. Executive producer: Kristina Larsen. Director of photography: Pascal Marti. Production designer: François Abelanet. Costume designer: Nathalie Raoul. Editor: Simon Jacquet. Sales: Wild Bunch. No rating, 110 minutes. Toronto Worldwide Film Festival Leila Bekhti A Far Greater Existence